KINGDOMS

After the discovery of a journal written during the youth by a woman who lived in the argentina countryside in 1930's, this piece in collaboration with Romina and Margarita Molfino works on the triad made of women, nature and writing. All the three of the artists, women who live in the city in the XIX St. century, approach the material as an heritage to deconstruct and understand as a legacy of these pioneer women who wrote while men went outside to work and study. In the piece, a family lives and works in an invented/ non realistic countryside while -as it happens in Leonor's diary- they honored the time devoted to thought and imagination. This piece of work investigates how to show on stage something as ungraspable as the sky events o the birds language; how to think writing as a way of clandestine existence and rebellion, a way of showing what is not visible or evident. Plants, storms, animals, work and language: how to scape the determined and understand that a body can be anything, an idea, a soul, a sound, a tree or a community of beings. Everything we name is open to change.

INFO

text and mise en scene- Margarita Molino, Romina Paula y Agustina Muñoz
performers- Rosario Blefari, Susana Pampin, Margarita Molfino, Mariana Chaud, Mariano Saborido y Camilo Polotto
music- Liza Casullo
costume- Gabriela Aurora Fernandez
costume assistant-Belén Rubio
lights and space- Matías Sendón
space assistant- Estefanía Bonessa
lights assistant- Adrian Grimozzi y Gregory Bohnenblust
curator- Vivi Tellas

This piece was shown at Teatro Sarmiento, Complejo Teatral Buenos Aires, on October, November and December 2019

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